Würzburg, Hochschule für Musik, Konzertsaal
2016, III/83 (geplant/prepared for IV/106), elektr./elektr.
I. HAUPTWERK |
C-c4 |
| Bordun | 32' |
| Salicet | 32' |
| Principal | 16' |
| Quinte | 10 2/3' |
| Principal | 8' |
| Doppelgedackt | 8' |
| Terz | 6 2/5' |
| Quinte | 5 1/3' |
| Septime | 4 4/7' |
| Principal | 4' |
| Dolcissima | 4' |
| Terz B/D | 3 1/5' |
| Quinte | 2 2/3' |
| Septime | 2 2/7' |
| Principal | 2' |
| Terz | 1 3/5' |
| Quinte | 1 1/3' |
| Septime | 1 1/7' |
| Principal | 1' |
| Mixtur II-IV | 4' |
| Mixtur VI | 2 2/3' |
| Ophecléide | 16' |
| Ophecléide | 8' |
| Clairon | 4' |
| Tremulant | |
II. POSITIV |
C-c4 |
| Quintadena | 16' |
| Salicet | 16' |
| Principal | 8' |
| Quintatön | 8' |
| Viola di Gamba | 8' |
| Flauten | 8' |
| Cythara | 8' |
| Octav | 4' |
| Mixtur IV | 2' |
| Cymbal II | 1' |
| Trompete | 8' |
| Tremulant | |
| Gemshorn | 8' |
| Gedackt | 8' |
| Nazard | 5 1/3' |
| FLaut travers | 4' |
| Sesquialter II | 2 2/3' |
III. ECHOWERK (schwellbar) |
C-c4 |
| Großgedackt | 16' |
| Salicional | 8' |
| Dolce | 8' |
| Holzharmonika | 8' |
| Labial-Clarinette | 8' |
| Spitzflöte | 4' |
| Tertia | 3 1/5' |
| Gemshornquinte | 2 2/3' |
| Flautino | 2' |
| Rauschquint II | 2 2/3' |
| Harmonia aetheria IV | 2 2/3' |
| Hautbois | 8' |
| Vox humana | 8' |
| Tremulant | |
| Gemshorn | 8' |
| Gedackt | 8' |
| Nazard | 5 1/3' |
| FLaut travers | 4' |
| Sesquialter II | 2 2/3' |
| Physharmonika | 16' |
| Physharmonika | 8' |
IV. SOLOWERK (schwellbar *) |
C-c4 |
| Bordun | 16' |
| Bordun | 8' |
| Flûte harmonique | 8' |
| Aeoline | 8' |
| Vox coelestis | 8' |
| Fugara | 4' |
| Zartflöte | 4' |
| Tremulant | |
| Clarinette | 8' |
| Stentorgambe | 8' |
FERNWERK (schwellbar *) |
C-c4 |
| Holzharmonika | 16' |
| Gambe | 8' |
| Voix céleste | 8' |
| Vox angelica | 8' |
| Rohrflöte | 8' |
| Dynamische Zunge | 8' |
| Tremulant | |
PEDAL |
C-g1 |
| Untersatz | 32' |
| Principalbass | 16' |
| Violonbass | 16' |
| Salicetbass | 16' |
| Subbass | 16' |
| Quintatönbass | 16' |
| Gedacktbass | 16' |
| Quintbass | 10 2/3' |
| Octavbass | 8' |
| Violonbass | 8' |
| Flûte harmonique * | 8' |
| Stentorgambe * | 8' |
| Salicet | 8' |
| Aeoline * | 8' |
| Vox coelestis * | 8' |
| Bordun * | 8' |
| Terzbass | 6 2/5' |
| Septime | 4 4/7' |
| Octave | 4' |
| Fugara * | 4' |
| Zartflöte * | 4' |
| Mixtur VI | 2 2/3' |
| Posaune | 32' |
| Posaune | 16' |
| Ophecléide | 16' |
| Trompete | 8' |
| Ophecléide | 8' |
| Clarinette * | 8' |
| Cornett | 2' |
KOPPELN/COUPLERS |
|
| I – I super | |
| I – I sub | |
| II – I | |
| III – I | |
| SOLO – I | |
| FERN – I | |
| I Äqual Diskant Ab | |
| I Äqual Bass Ab | |
| II – II super | |
| II Äqual Ab | |
| II – II sub | |
| I – II | |
| III – II | |
| SOLO – II | |
| FERN – II | |
| III – III super | |
| III Äqual Ab | |
| III – III sub | |
| I – III | |
| II – III | |
| SOLO – III | |
| FERN – III | |
| SOLO – SOLO super | |
| SOLO Äqual Ab | |
| SOLO – SOLO sub | |
| I – SOLO | |
| II – SOLO | |
| III – SOLO | |
| FERN – FERN super | |
| FERN Äqual Ab | |
| FERN – FERN sub | |
| I – FERN | |
| II – FERN | |
| III – FERN | |
| I – P | |
| II – P | |
| III – P | |
| III – P super | |
| SOLO – P | |
| FERN – P |
* = Ausbaustufe / prepared for
eine detailliertere Disposition mit weiteren interessanten Zahlen und Fakten zur Orgel finden Sie hier (PDF)